Pam Callender

The essence of my current environmental artwork is a playful interaction between Ballroom Dance Standards and terminology and natural found objects. I enjoy making art where the viewer least expects to find it, extending to the spectator an unspoken invitation to participate. I prefer using materials not limited to that found in the art store, considering relationships between people things, and place— engaging in history and respondingto the past as it co-exists with the present.

“Palm Fronds in Sand” From the Character, style and expression series 2010 sarasota, Florida

The earth invites me to seek movement, guides me through it with gentle persuasion while standing strong. It is a partner that allows for just the right amount of space between us, not to encroach on each other’s persona; one whose wisdom challenges my attention.

“Balanced rock” From the Footwork and body Movement series 2009 Goddard College Campus

One of the most significant findings from this crossover between dance and land art is how much more connected my work is to my daily life. My art- work in the environment connects to the versatility inherent in earthly materials. I believe the fundamental relevance to partnering response to a human need for association and its core values define harmony in a dance of equality. As in dance, my art practice is grounded in the repetition of basic elements for me, this is the foundation of a sustainable practice.

“Grass Braiding” From the Connections and Floorcraft series 2010 Goddard College Campus

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